Beachy Head

by Charlotte Smith

An extract


BEACHY HEAD. ON thy stupendous summit, rock sublime!
That o’er the channel rear’d, half way at sea
The mariner at early morning hails,
I would recline; while Fancy should go forth,
And represent the strange and awful hour
Of vast concussion; when the Omnipotent
Stretch’d forth his arm, and rent the solid hills,
Bidding the impetuous main flood rush between
The rifted shores, and from the continent
Eternally divided this green isle.
Imperial lord of the high southern coast!
From thy projecting head-land I would mark
Far in the east the shades of night disperse,
Melting and thinned, as from the dark blue wave
Emerging, brilliant rays of arrowy light
Dart from the horizon; when the glorious sun
Just lifts above it his resplendent orb.
Advances now, with feathery silver touched,
The rippling tide of flood; glisten the sands,
While, inmates of the chalky clefts that scar
Thy sides precipitous, with shrill harsh cry,
Their white wings glancing in the level beam,
The terns, and gulls, and tarrocks, seek their food,
And thy rough hollows echo to the voice
Of the gray choughs, and ever restless daws,
With clamour, not unlike the chiding hounds,
While the lone shepherd, and his baying dog,
Drive to thy turfy crest his bleating flock.

The high meridian of the day is past,
And Ocean now, reflecting the calm Heaven,
Is of cerulean hue; and murmurs low
The tide of ebb, upon the level sands.
The sloop, her angular canvas shifting still,
Catches the light and variable airs
That but a little crisp the summer sea.
Dimpling its tranquil surface.

Afar off,
And just emerging from the arch immense
Where seem to part the elements, a fleet
Of fishing vessels stretch their lesser sails;
While more remote, and like a dubious spot
Just hanging in the horizon, laden deep,
The ship of commerce richly freighted, makes
Her slower progress, on her distant voyage,
Bound to the orient climates, where the sun
Matures the spice within its odorous shell,
And, rivalling the gray worm’s filmy toil,
Bursts from its pod the vegetable down;
Which in long turban’d wreaths, from torrid heat
Defends the brows of Asia’s countless casts.
There the Earth hides within her glowing breast
The beamy adamant, and the round pearl
Enchased in rugged covering; which the slave,
With perilous and breathless toil, tears off
From the rough sea-rock, deep beneath the waves.
These are the toys of Nature; and her sport
Of little estimate in Reason’s eye:
And they who reason, with abhorrence see
Man, for such gaudes and baubles, violate
The sacred freedom of his fellow man —
Erroneous estimate! As Heaven’s pure air,
Fresh as it blows on this aërial height,
Or sound of seas upon the stony strand,
Or inland, the gay harmony of birds,
And winds that wander in the leafy woods;
Are to the unadulterate taste more worth
Than the elaborate harmony, brought out
From fretted stop, or modulated airs
Of vocal science. — So the brightest gems,
Glancing resplendent on the regal crown,
Or trembling in the high born beauty’s ear,
Are poor and paltry, to the lovely light
Of the fair star, that as the day declines,
Attendant on her queen, the crescent moon,
Bathes her bright tresses in the eastern wave.
For now the sun is verging to the sea,
And as he westward sinks, the floating clouds
Suspended, move upon the evening gale,
And gathering round his orb, as if to shade
The insufferable brightness, they resign
Their gauzy whiteness; and more warm’d, assume
All hues of purple. There, transparent gold
Mingles with ruby tints, and sapphire gleams,
And colours, such as Nature through her works
Shews only in the ethereal canopy.
Thither aspiring Fancy fondly soars,
Wandering sublime thro’ visionary vales,
Where bright pavilions rise, and trophies, fann’d
By airs celestial; and adorn’d with wreaths
Of flowers that bloom amid elysian bowers.
Now bright, and brighter still the colours glow,
Till half the lustrous orb within the flood
Seems to retire: the flood reflecting still
Its splendor, and in mimic glory drest;
Till the last ray shot upward, fires the clouds
With blazing crimson; then in paler light,
Long lines of tenderer radiance, lingering yield
To partial darkness; and on the opposing side
The early moon distinctly rising, throws
Her pearly brilliance on the trembling tide. The fishermen, who at set seasons pass
Many a league off at sea their toiling night,
Now hail their comrades, from their daily task
Returning; and make ready for their own,
With the night tide commencing: — The night tide
Bears a dark vessel on, whose hull and sails
Mark her a coaster from the north. Her keel
Now ploughs the sand; and sidelong now she leans,
While with loud clamours her athletic crew
Unload her; and resounds the busy hum
Along the wave-worn rocks. Yet more remote,
Where the rough cliff hangs beetling o’er its base,
All breathes repose; the water’s rippling sound
Scarce heard; but now and then the sea-snipe’s cry
Just tells that something living is abroad;
And sometimes crossing on the moonbright line,
Glimmers the skiff, faintly discern’d awhile,
Then lost in shadow.

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

Sonnet XLIV

by Charlotte Smith

Written in the Church Yard at Middleton in Sussex.

PRESS’D by the Moon, mute arbitress of tides,
While the loud equinox its pow’r combines,
The sea no more its swelling surge confines,
But o’er the shrinking land sublimely rides.
The wild blasts, rising from the western cave,
Drives the huge billows from their heaving bed;
Tears from their grassy tombs the village dead,
And breaks the silent sabbath of the grave!
With shells and seaweed mingled, on the shore,
Lo! their bones whiten in the frequent wave;
But vain to them the winds and waters rave;
They hear the warring elements no more:
While I am doom’d — by life’s long storm opprest,
To gaze with envy, on their gloomy rest.

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

Sonnet LXXI

by Charlotte Smith

Written at Weymouth in winter.

THE chill waves whiten in the sharp North-east;
Cold, cold the night-blast comes, with sullen sound,
And black and gloomy, like my cheerless breast:
Frowns the dark pier and lonely sea-view round.
Yet a few months–and on the peopled strand
Pleasure shall all her varied forms display;
Nymphs lightly tread the bright reflecting sand,
And proud sails whiten all the summer bay:
Then, from these winds that whistle keen and bleak,
Music’s delightful melodies shall float
O’er the blue waters; but ’tis mine to seek
Rather, some unfrequented shade, remote
From sights and sounds of gaiety–I mourn
All that gave me delight–Ah! never to return

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

A Descriptive Ode

A DESCRIPTIVE ODE, SUPPOSED TO HAVE BEEN WRITTEN UNDER THE RUINS OF RUFUS’S CASTLE AMONG THE REMAINS OF THE ANCIENT CHURCH ON THE ISLE OF PORTLAND

by Charlotte Smith


Chaotic pile of barren stone,
That Nature’s hurrying hand has thrown,
Half-finish’d, from the troubled waves;
On whose rude brow the rifted tower
Has frown’d, thro’ many a stormy hour,
On this drear site of tempest-beaten graves.
Sure
Desolation loves to shroud His giant form within the cloud
That hovers round thy rugged head;
And as thro’ broken vaults beneath,
The future storms low-muttering breathe,
Hears the complaining voices of the dead.
Here marks the Fiend with eager eyes,
Far out at sea the fogs arise
That dimly shade the beacon’d strand,
And listens the portentous roar
Of sullen waves, as on the shore,
Monotonous, they burst, and tell the storm at hand.
Northward the Demon’s eyes are cast
O’er yonder bare and sterile waste,
Where, born to hew and heave the block,
Man, lost in ignorance and toil,
Becomes associate to the soil,
And his heart hardens like his native rock.
On the bleak hills, with flint o’erspread,
No blossoms rear the purple head;
No shrub perfumes the Zephyrs’ breath,
But o’er the cold and cheerless down
Grim Desolation seems to frown,
Blasting the ungrateful soil with partial death.
Here the scathed trees with leaves half-drest,
Shade no soft songster’s secret nest,
Whose spring-notes soothe the pensive ear;
But high the croaking cormorant flies,
And mews and awks with clamorous cries
Tire the lone echoes of these caverns drear.
Perchance among the ruins grey
Some widow’d mourner loves to stray,
Marking the melancholy main
Where once, afar she could discern
O’er the white waves his sail return
Who never, never now, returns again!
On these lone tombs, by storms up-torn,
The hopeless wretch may lingering mourn,
Till from the ocean, rising red,
The misty Moon with lurid ray
Lights her, reluctant, on her way,
To steep in tears her solitary bed.
Hence the dire Spirit oft surveys
The ship, that to the western bays
With favouring gales pursues its course;
Then calls the vapour dark that blinds
The pilot — calls the felon winds
That heave the billows with resistless force.
Commixing with the blotted skies,
High and more high the wild waves rise,
Till, as impetuous torrents urge,
Driven on you fatal bank accurst,
The vessel’s massy timbers burst,
And the crew sinks beneath the infuriate surge.
There find the weak an early grave,
While youthful strength the whelming wave
Repels; and labouring for the land,
With shorten’d breath and upturn’d eyes,
Sees the rough shore above him rise,
Nor dreams that rapine meets him on the strand.
And are there then in human form
Monsters more savage than the storm,
Who from the gasping sufferer tear
The dripping weed? — who dare to reap
The inhuman harvest of the deep,
From half-drown’d victims whom the tempests spare?
Ah! yes! by avarice once possest,
No pity moves the rustic breast;
Callous he proves — as those who haply wait Till I (a pilgrim weary worn)
To my own native land return,
With legal toils to drag me to my fate!

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

The Female Exile

WRITTEN AT BRIGHTHELMSTONE IN NOVEMBER 1792

by Charlotte Smith

November’s chill blast on the rough beach is howling,
The surge breaks afar, and then foams to the shore,
Dark clouds o’er the sea gather heavy and scowling.
And the white cliffs re-echo the wild wintry roar.
Beneath that chalk rock, a fair stranger reclining,
Has found on damp sea-weed a cold lonely seat;
Her eyes fill’d with tears, and her heart with repining,
She starts at the billows that burst at her feet.
There, day after day, with an anxious heart heaving,
She watches the waves where they mingle with air;
For the sail which, alas! all her fond hopes deceiving,
May bring only tidings to add to her care.
Loose stream to wild winds those fair flowing tresses,
Once woven with garlands of gay Summer flowers;
Her dress unregarded, bespeaks her distresses,
And beauty is blighted by grief’s heavy hours.
Her innocent children, unconscious of sorrow,
To seek the gloss’d shell, or the crimson weed stray;
Amused with the present, they heed not to-morrow,
Nor think of the storm that is gathering to day.
The gilt, fairy ship, with its ribbon-sail spreading,
They launch on the salt pool the tide left behind;
Ah! victims — for whom their sad mother is dreading
The multiplied miseries that wait on mankind!
To fair fortune born, she beholds them with anguish,
Now wanderers with her on a once hostile soil,
Perhaps doom’d for life in chill penury to languish,
Or abject dependance, or soul-crushing toil.
But the sea-boat, her hopes and her terrors renewing.
O’er the dim grey horizon now faintly appears;
She flies to the quay, dreading tidings of ruin,
All breathless with haste, half expiring with fears.
Poor mourner! — I would that my fortune had left me
The means to alleviate the woes I deplore;
But like thine my hard fate has of affluence bereft me,
I can warm the cold heart of the wretched no more!

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

Sonnet LXX

ON BEING CAUTIONED AGAINST WALKING OVER A HEADLAND OVERLOOKING THE SEA, BECAUSE IT WAS FREQUENTED BY A LUNATIC.

by Charlotte Smith

IS there a solitary wretch who hies
To the tall cliff, with starting pace or slow,
And, measuring, views with wild and hollow eyes
Its distance from the waves that chide below;
Who, as the sea-born gale with frequent sighs
Chills his cold bed upon the mountain turf,
With hoarse, half utter’d lamentation, lies
Murmuring responses to the dashing surf?
In moody sadness, on the giddy brink,
I see him more with envy than with fear;
He has no nice felicities that shrink
From giant horrors; wildly wandering here,
He seems (uncursed with reason) not to know
The depth or the duration of his woe.

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

Sonnet LXVI

WRITTEN IN A TEMPESTUOUS NIGHT ON THE COAST OF SUSSEX.

Charlotte Smith

THE night-flood rakes upon the stony shore;
Along the rugged cliffs and chalky caves
Mourns the hoarse Ocean, seeming to deplore
All that are buried in his restless waves —
Mined by corrosive tides, the hollow rock
Falls prone, and rushing from its turfy height,
Shakes the broad beach with long-resounding shock,
Loud thundering on the ear of sullen Night;
Above the desolate and stormy deep,
Gleams the wan Moon by floating mist opprest;
Yet here while youth, and health, and labour sleep,
Alone I wander — Calm untroubled rest,
“Nature’s soft nurse,” deserts the high-swoln breast,
And shuns the eyes, that only make to weep!

You can read more about Charlotte Smith here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

The Sea View


SONNET LXXXIII. THE SEA VIEW

by Charlotte Smith


THE upland shepherd, as reclined he lies
On the soft turf that clothes the mountain brow,
Marks the bright sea-line mingling with the skies;
Or from his course celestial, sinking slow,
The summer-sun in purple radiance low,
Blaze on the western waters; the wide scene
Magnificent, and tranquil, seems to spread
Even o’er the rustic’s breast a joy serene,
When, like dark plague-spots by the demons shed,
Charged deep with death, upon the waves, far seen,
Move the war-freighted ships; and fierce and red,
Flash their destructive fires — The mangled dead
And dying victims then pollute the flood.
Ah, thus man spoils Heaven’s glorious works with blood!

You can read more about Charlotte Smith (1749-1806) here: https://en.m.wikipedia.org/wiki/Charlotte_Smith_(writer)

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